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The American Movie:George Clooney American blues through Italy, as a murderer with a butterfly tattoo. Given the paucity of serious film for adults, which makes it into the American megaplexes, almost ungrateful to turn your nose when one arrives. But this is not serious cinema. Whenever Clooney shares the stage with a woman, it is not the prospect of sexual intercourse or the shooting you fear. This photo shoot. (107 min., R) (Wesley Morris)

Going Distance Drew Barrymore and Justin Long to try to keep the relationship alive from different banks. The film gets its rating of R, often dared to say that happens often unsaid women in lewd comedy. The entire second half of the comedy. But unlike many films as she is not a cynical one. In addition, foul-mouthed, Barrymore, Barrymore may be the best of all. (109 min., R) (Wesley Morris)

Kimjongilia North Korean defectors who tell their stories in this frankly shocking documentary. Accounts, which are mixed with the historical overview of how Kim Jong Il was North Korea’s concentration camps in the swamp and hunger, provide vital insight into one of the most closed, devastating the countries on the planet. (75 min., No rating) (Jesse Singal)

Machete, Robert Rodriguez expands its fake “Grindhouse”pritsepa very entertaining fake 70-ies feature malicious Federale (Danny Trejo). Unexpected tonic end of the summer: garbage guilty pleasure with a healthy sense of social outrage. The game includes cast Jessica Alba, Michelle Rodriguez Robert De Niro, Steven Seagal, Jeff Fahey, Lindsay Lohan, and “enter Don Johnson.”(94 min., R) (Ty Burr)

Mesrine: Public Enemy # 1 of the second tranche in a 2-part epic gangster Jean-Francois Richet life of French criminal Jacques Mesrine (1936-1979). This is a visually busy film than “Killer Instinct,”above crimes, gelding, as he is, and star Vincent Cassel exchange phlegmatic Voltage Part 1 of manic theatricality. In French with subtitles. (133 min., R) (Ty Burr)

Nobody’s Perfect This documentary gives a fresh airing to the disastrous side effects on children born to mothers who were prescribed thalidomide in the late ’50 and early 60′s. German director Niko von Glazov trying to get 11 of his fellow “Thalidomides”, to pose nude for calendar and photo exhibits. The idea of a starting point for this darkly funny and moving study of body image, sexuality and self-esteem. (84 min., No rating) ( Lauren King)

Suck Indie-Rocker director Rob Stefaniuk is not to be confused with “Vampiry”Suck – but that does not mean that it is quite clearly a comedy, too. Stefanyuk heads the group that the missiles toward the big time when his bassist, becomes a vampire. Creative at the points , but bit players such as Alice Cooper and Iggy Pop sure not movie stars. (111 min., R) (Tom Russo)
a wonderful new documentary Tillman story of Amir Bar-Lev in peeling back layers of social Pat Tillman – a professional footballer, war in Iraq, a soldier, a hero-martyr, shamefully used propaganda chip – to arrive at today’s secret: I was born a star, turned his back on fame and became his own man even after death. (94 min., R) (Ty Burr)

Two in the coverage of the documentary Emmanuel Laurent wave could easily be called “Le Divorce.”Film is the story eventually soured the friendship between Francois Truffaut and Jean-Luc Godard, the most famous directors of French New Wave. The shock of the film is how le divorce was poor Jean-Pierre Léaud in the object custody battle. (93 min., No rating) (Wesley Morris)

Previously Released:
Animal Kingdom brooding, bloody history of the criminal clan of brothers and innocent teen (James Frecheville), which lands between them. There’s more style than substance here, but it’s still an impressive debut of writer-director David Michôd of Blue-language films Australian team. Jackie Weaver unforgettable, like a living, deadly gang mom. (112 min., R) (Ty Burr)

Centurion you want a movie in which starve the second century the Romans eat lunch in the stomach contents of dead elk to be as hungry. But this chase film by an unusually boring Neil Marshall (The Descent”) is a manual enterprise. Oh, there’s blood and the blood. Profanity is delicious. And the general atmosphere is grim. It just is not very inciting. With Michael Fassbender, Olga Kurylenko, and Dominique West (97 min., R) (Wesley Morris)

Reflected charming minor pleasure will cause a lot of moviegoers – those who think no one makes movies for them more – as the primary treatment. Madeleine Carroll and Callan McAuliffe play eighth-stone to love and respect, director Rob Reiner is in the early 60′s nostalgia with a heavy hand. With Rebecca De Mornay, Anthony Edwards, Aidan Quinn. (90 min., P.) (Ty Burr)

When the last demons Louisiana preacher Cotton Marcus (Patrick Fabian), the unbeliever, who performs a spell, can not continue to operate longer, he gives his final exorcism to be filmed as a documentary culpa measurements, presented as found footage la “Blair Witch Project.”Early promise and good ideas wasted on well-worn image of demonic possession and spectacularly bad end. (88 min. PG-13) (Jesse Singal)

Raffle tickets Bow Wow is a good child who falls into the $ 370 million jackpot and discovers that all the projects, wants something from him, especially scary parolee. What could be inspired cash infusion kookiness instead, as a rule, just the usual comedy with a few slices of resonant social commentary. (99 min. PG-13) (Tom Russo)

Last Dancer Mao’s historic ballet camp. The film tells the story of dancer Li Cunxin (Shi Cao), but portraits of Mao get as many close-ups as actors. The film jerks back and forth between childhood Lee, adolescents and young adults who spent the 1980′s Texas. There are some nice things, namely: Bruce Greenwood, as a dancer in the resignation of Ben Stevenson. But the dramatic climax – set in the house and distinguished group of people standing around – looks like the game Clue. (117 min., PG) (Morris Wesley)

Gelding: Killer Instinct real life French gangster bio so delighted with his subject that he can not fit the whole story in one movie. (Part 2, “Mesrine: Public Enemy # 1,”opened here a week after the” Killer Instinct.”) Vincent Cassel charms, as Jacques Mesrine, tearing up France and Canada in the 1960′s, but there’s no more point. In French with subtitles. (113 min., R) (Ty Burr)

Nanny McPhee return to continued frustration, Emma Thompson, mono brows, they say-dotted educator softer, and a couple of the kids seem rambunctiousness production, but not ridiculous exaggerated. Maggie Gyllenhaal is besieged by parents trying to save the family farm afloat while her husband is off at war. (109 min., P.) (Tom Russo)

Soul Kitchen Fatih Akin takes a break in the cultural policy and great confusion melodramatic (his previous films include “head-On”i” Land of the sky”). “Soul Kuhnya”eto rags – all in order, negligent – a comedy about a group of two charismatic but loutish brothers (Adam Bousdoukos, Moritz Bleibtreu) and hip restaurant. The film tax neither us nor its creator. This is a party. In German, with subtitles (97 min., No rating) (Wesley Morris)

Switch After Jennifer Lopez in “Standby plana”drugoy blah insemination comedy film Jennifer fighting, this time it is Aniston. She plays a New Yorker raising a son (Thomas Robinson), and trying to negotiate its relationship with the real father (Jason Bateman) and man (Patrick Wilson), who thinks he is. Bateman and Robinson so well together, you have to ask: If the movie is Jennifer Aniston not actually need to Jennifer Aniston, is not it? (104 min. PG-13) (Wesley Morris)

Takers Crew AP high-rolling bank robbers goes against spitting nails cop (Matt Dillon). This may be done decently little B movie robbery, but someone forgot to go and give the operator his Ritalin. With Idris Elba, Paul Walker, Michael Ealy, Hayden Christensen, and Chris Brown. (107 min. PG-13) (Ty Burr)